Finished.
376 pages in one year but not many, considering that you are going to add the other 1600 that I wrote for "John Doe", "Diabolik", "Dylan Dog" and several extra projects, they are not few.
On balance, I am excited and I think it's useless to hide.
The four episodes of the series and represent a single cohesive story with its own circularity, at the same time, the balance of each episode is quite autonomous and fully satisfy me.
The first two books have a similar narrative structure, designed to engage the reader as quickly as possible and run it in the middle of the story without excessive delays, the third number softens this approach, while the fourth has a linear narrative needed to pull the row and lead the reader to the grand finale.
The plot twists are distributed on all four numbers and there are up to the last sequence.
The first number provides the basis for all events and introduces the main characters, the second (which is also the story more dramatic) develops the bad, the third fore some assumptions, the fourth door to the full development of the issues put on the most table, tie tutti i fili, si concede qualche rivelazione e mette le basi per un possibile seguito.
La cosa divertente è che, nonostante io pensi che questa sia la roba tecnicamente più raffinata che abbia mai scritto e che, anche a livelli di contenuti, ci abbia davvero messo dentro davvero un mucchio di roba che spazia dalla politica al senso della vita , sono sicuro che la critica (e gran parte del pubblico), probabilmente, vedrà solamente una serie tutta azione.
Evvabè.
Va bene lo stesso.
A me, tutto sommato, la roba "tutta azione" piace un sacco.
"David Muprhy: 911" per me rappresenta una specie di chiusura del cerchio.
Per anni non ho fatto altro che studiare molto very serious stuff seriously just like the action movie.
In this series I tried to put everything I learned about gender and to flesh out with some other stuff derived from very different things.
In this sense, reading "Shock Doctrine" by Naomi Klein was key, giving me the key to creating "bad" with a true thickness and at the same time, easy to hate.
I also thank Francesco Meo for having suggested a concept which was then detected in the economy that is sweeping the series and all readers nostalgic for the 70s Marvel.
Add to this, then that Matthew is making great images in everything I've written and you will understand better my enthusiasm.
Now I'll stop because as my mom says, "who praises you Imbroda" and I have a bunch of other stuff to do before we feel satisfied.
Ah, the one above is the cover of "number 0".
